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Archive for 2006

Tu Ganga ki mauj Main Jamuna ka dhara

Tuesday, August 29th, 2006

This article is contributed by Mohan Flora.

Rain came to the city as budding singers sang the melodious songs of Mohammad Rafi set to the music of maestro Naushad in the preliminary competition organised Yaadgar-e-Rafi society at Bal Bhawan on Saturday. It was a good feeling to hear old and familiar numbers sung by young hearts, says Nirupama Dutt (more…)

The Rafi Phenomenon

Monday, August 28th, 2006

This article is by Mr. B.Venkatadri from Hyderabad.

While the Rafi Phenomenon is best viewed and understood as a whole and not in its bits and components, one is still tempted to understand the bits and components that make up Mohammed Rafi. (more…)

Yodeling

Sunday, August 27th, 2006

This article is by Nair. It was posted as a comment on Rafi and Yodeling article.

“yodeling is a type of singing in which high falsetto and low chest notes are rapidly alternated; its production is helped by the enunciation of open and closed vowels on the low and high notes of wide intervals” (Encyclopedia Britannica). (more…)

Rafi an unknown entity in his birthplace

Saturday, August 26th, 2006

This article is from Hindu.com

Once upon a time there lived a young boy Pheeko in this village who would go around singing ‘Khedan de din char ni maen’, which means ‘Life is too short so we should enjoy it’. Pheeko was the youngest of the five sons of Haji Ali Mohammed. (more…)

A Desire to Meet Rafi Saab

Friday, August 25th, 2006

This article is by Anmol Singh.

This is an expression of feelings of a fan about an artist. There are many Rafi fans all over the world that may have the fortune to see him sing live or meet him personally. Perhaps there are many fans that never had the opportunity or the privilege to see him or listen to him sing live or meet in person. (more…)

Mehel Udhas Aur Galiyan Sooni

Thursday, August 24th, 2006

This is written by Nair.

The accusation that Rafi cannot raise his pitch the to “tivra nishadam” is baseless. Tivra nishadam is normally a feminine position because it makes the voice to taper to the extreme. Rafi Sahab is a master in this, say for example, in a live concert (available online) in Oh Duniya Ke Rakh Wale; (more…)

Rafi’s greatest hits are truly great

Wednesday, August 23rd, 2006

Mohammad Rafi, one of the legends of the historical Hindi Film Industry still has his impact on the music lovers. His voice continues to haunt us even today. After all, he’s left behind a rich legacy of songs sung by him over 35 years. Rafi’s voice, ranging from the melancholic to the boisterous, was such […]

Mohammad Rafi, one of the legends of the historical Hindi Film Industry still has his impact on the music lovers. His voice continues to haunt us even today. After all, he’s left behind a rich legacy of songs sung by him over 35 years. Rafi’s voice, ranging from the melancholic to the boisterous, was such that it suited every mood and every occasion in films. (more…)

A legendary affair with the airwaves

Tuesday, August 22nd, 2006

Article by Harsh Kabra for Hindu.com

If radio is the theatre of the mind, then Ameen Sayani is among its most engaging impresarios.”WHAT do you plan to ask?” probes Ameen Sayani in his unmistakable baritone. “If I knew that,” he reasons, “I won’t meander.” (more…)



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