Mohd Rafi

Mubarak Begum was a singer known only for her peculiar, nasal voice. Her vocal range and singing prowess had many limitations, of course. In my humble view, as a singer, she could attain only limited success that was just proportionate to her abilities!! However, in one interview of hers, she seemed to blame Suraiya for blocking her progress! Well, that is a different story for a different time!!

With Rafi Saab, she had the opportunity of singing about 10 duets, of which the only one that became very popular is from Film: Hamraahi (1963), composed by Shankar Jaikishan. The song is: “Mujhko Apne Gale Lagaa Lo, Ae Mere Hamraahi”. Read the rest of this entry »

Mohd Rafi

Can one describe God? In 1,000 words? Even in 10,000 words? It is impossible to capture the magic and genius of Mohammed Rafi, the singing God, whose voice you can go on listening to forever.

He lifted mediocre into sparkling gem. His usual was better than the best around him. The kind of range and brilliance he had is unparalleled. From low-pitched whispering songs like Tum se ek baar to high-pitched ones like the O duniya ke rakhwale climax, Rafi sang with ease. Another song which comes to mind is the thought-provoking number in Pyaasa. The song __ Yeh mehlon, yeh takhton __ Rafi begins the song as a murmur, gradually his voice rises and in the end, he gives full rein to his vocal prowess when he exposes the hypocrisy of the society __ his voice soars saying Jalado jalado ise phoonk dalo yeh duniya. Is it possible to imagine anyone else singing this song bringing out all the frustration, bitterness and helpless anger? Read the rest of this entry »

Mohammad Rafi

Decades have passed since the death of legendary singer Mohammed Rafi, but his memories are still fresh in the mind of millions of his fans. On the eve of his 85^th birthday a number of his fans and music lovers gathered to remember their favourite singer at Film Division Auditorium.

On this occasion a short film on the life of and songs of legendary singer was screened. This film, titled Rafi-Tum Bahut Yaad Aaye, has been produced by the Films Division. Read the rest of this entry »

Mohd Rafi

A lullaby (Lori in Hindi) is a soothing song sung to put a child to sleep. Each country in the world has its own rich tradition of lullabies. Our own country, with its great civilization and culture  has a very rich collection of such songs from each region.

It is a universally known fact that lullabies are generally sung by a mother to make her child sleep. Lucky indeed is that child that has a father who can sing a Lori. And if that father has a voice like Rafi? Eternal bliss!!!

There are many Lori songs in Hindi film music (HFM) which are evergreen, generally sung by female singers. Lata’s  ‘Dheere se aajari ankhiyan mein ’ is considered one of the best Lori ever composed and sung in HFM. There are of course many more from Lata whose sweet, soothing Loris can put even an insomniac to sleep!! Read the rest of this entry »

Mohd Rafi

Rafi sahab`s voice has a divine flow. What this flow is all about? Perhaps Rafi sahab himself is an ocean n in his every word he lead us with flow of his divinity. Here is a small reference of a Rafian, a Rafi Lover, who was so much inspired by Rafi sahab that she used to consider herself just a wave of Rafi ocean and she finally merged in ocean itself.

Savita Garcia (Kate Garcia), a German social worker, running a social organisation in remotest village of West Bengal India,,with the profession of modelling in fashion world (in France), was working on a shrine short of foundation in the name of Rafi sahab in south Africa has died prematurely (25 year old) recently on July 31st 2009, after a snake had bitten her in the ploughing field in village Kumarpukur, Bengal, where she was working on a educational program for the poor villagers. Read the rest of this entry »

Mohd Rafi

Nature is God’s most powerful and captivating symbol of HIS presence on this planet. Being near to nature is believed to be being near to God. The nature has inspired and spurred the creative instincts of artists of almost all streams to produce their artistic creations and showcase their talent. Painters have been fascinated by different facades of nature to capture its various colours on canvas. Poets, novelists have written many classics in the process of describing the beauty, the serenity of the nature.

Film lyricists also have very beautifully penned down umpteen number of rhythmic lines for many wonderful songs glorifying the nature. Such nature-inspired songs not only enrich the aesthetics of the composition but also provide an opportunity for the film maker to capture some breath taking visuals of the nature. These songs also help in portraying the character on the screen and his feelings. And when a song of a theme as divine as nature is sung by a voice as Godly as of Rafi saab… the result is bound to be ‘sheer magic’. This write-up is just a small attempt to celebrate some (randomly picked) songs of Rafi saab where one beauty of the nature is combined with another beauty of nature (Rafi saab’s voice). Read the rest of this entry »

Rajkumar and Mohd Rafi

Rafi Saheb had sang some milestone songs for prominent & stylish actor Raaj Kumar in some highly memorable films: Ghamand, Nausherwan-E-Adil, Mother India, Phool Bane Angarey, Kaajal, Neel Kamal, Mere Huzoor, Heer Raanjha, Maryada, Lal Patthar, Pakeezah and Chambal Ki Kasam.

In the early 1950s, Kulbushan Pandit, a sub-inspector of the Mumbai police gave up his job, changed his name to RAAJ KUMAR and made his acting debut in the film RANGILI (1952) which was unnoticed. In the next five years, he acted in few incomprehensible films which failed to launch his career. In 1957, Mehboob Khan’s Oscar nominated classic blockbuster film MOTHER INDIA where he played a role of poor farmer, established him a lead actor in Hindi Film. After that there is no looking back for him, he acted in more than 70 films in a career of four decades and played leading, central supporting or villain roles. His most notable performances were in hit films like PAIGHAM(1959), DIL APNA AUR PREET PARAYI (1960), GHARANA (1961), DIL EK MANDIR (1963), WAQT (1965), HAMRAAZ (1967), NEEL KAMAL (1968), HEER RAANJHA(1970), LAL PATTHAR (1971), PAKEEZAH (1972) and HINDUSTAN KI KASAM (1973), out of which he got Filmfare Best Supporting Actor Award for DIL EK MANDIR & WAQT.  He was best paired with Meena Kumari and Mala Sinha. Read the rest of this entry »

Rafi Memorial Function, held in Chandigarh on 6th Dec, 2009

Born on 24th December 1924 in a small village in Amritsar District, Rafi made his debut in Punjabi Film ” Gul Baloch” in 1944 with the song “soniyi ni heeryi ni” set to music by Shyam Sunder. Rafi was so enamoured of Kundan Lal Saigal that he participated as a chorus singer in Saigal’s song in film Shahjehan (1946) “Roohi roohi roohi, mere sapnon ki raani“, composed by Naushad.

Rafi remains till today the most versatile of all the singers who could sing any type of song. In classical he rendered masterpieces like ” madhuban mein radhika“; in comedy “sarr jo tera chakraye“; in pop “laal laal gaal“; in softness “suhani raat dhal chuki“; in boisterousness ” kaan mein jhumka“; in anguish ” yehi armaan lekar aaj apne ghar se hum nikle“; in ecstasy “ jiya o jiya kuchh bol do“; in qwwali “aaj kyon hamse parda hai“; in bhajans ” man tarpat hari darshan ko aaj“; in patriotic “kar chale hum fida jaan o tan saathiyo“. Read the rest of this entry »

Rafi with Shankar of SJ fame

Mohammad Rafi was the virtual ruler of world of playback singing in the 60s. As far as his combination with Shankar Jaikishan is concerned, generally the loud numbers gather popularity due to the pomp and grandeur of those songs.

For example Rafi’s song “chahe koi mujhe jungle kahen” in Junglee, picturised on Shammi Kapoor, “kaun hai jo sapno me aya” in Jhuk Gaya Aasman picturised on Rajender Kumar, “jiya ho jiya ho jiya kuch bol do” in Jab Par Kisi Se Hota Hai, picturised on Dev Anand, “Japan, Love in Tokyo”, in Love in Tokyo, picturised on Joy Mukherjee, “april fool banaya, in April Fool picturised on Biswajeet , etc., were the most popular songs of those films. Shankar Jaikishan’s innovative orchestrations were involved with all these songs. Read the rest of this entry »