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	<title>Comments on: The Last Journey of Mohd Rafi</title>
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	<link>http://www.mohdrafi.com/newspapers/the-last-journey-of-mohd-rafi.html</link>
	<description>It's all about Mohd Rafi</description>
	<pubDate>Thu, 04 Dec 2008 07:21:11 +0000</pubDate>
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		<title>By: Prakash shah</title>
		<link>http://www.mohdrafi.com/newspapers/the-last-journey-of-mohd-rafi.html#comment-6710</link>
		<dc:creator>Prakash shah</dc:creator>
		<pubDate>Tue, 22 May 2007 12:33:01 +0000</pubDate>
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		<description>Agreed that naushad a real master ofclassical ragas with desi instrument given best and everlasting songs with rafi from anmol ghadi to my friend except mehboob's andaaz and rajendra kumar starrer saathi.(both have mukesh)
but rafi always  given hit with all of those days composer like sj,mm,sd,ka,rd,uk,lp,so,etc.etc.
than one can realize that only the common factor toall music director is non other than mohammad rafi.
Only rafis jaadus  worked to hit the movie, even lyrics,music directors,even producer,directors
Go  in past and see any of the movie of nazir hussain,mohan kumar,j.om.prakash,p.chakroborthy,even ramanand sagatr -either it is love trangle ,or loss and found,or law and out law the same story  line up and audience were knowing before release of movie  that where story will go but they just watched all this movie to watch his favourite hero on screen sung by his favourite  song by rafiji  only.

so directly or indirectly behind every sucsessful film it was  rafijis hit  songs.</description>
		<content:encoded><![CDATA[<p>Agreed that naushad a real master ofclassical ragas with desi instrument given best and everlasting songs with rafi from anmol ghadi to my friend except mehboob&#8217;s andaaz and rajendra kumar starrer saathi.(both have mukesh)<br />
but rafi always  given hit with all of those days composer like sj,mm,sd,ka,rd,uk,lp,so,etc.etc.<br />
than one can realize that only the common factor toall music director is non other than mohammad rafi.<br />
Only rafis jaadus  worked to hit the movie, even lyrics,music directors,even producer,directors<br />
Go  in past and see any of the movie of nazir hussain,mohan kumar,j.om.prakash,p.chakroborthy,even ramanand sagatr -either it is love trangle ,or loss and found,or law and out law the same story  line up and audience were knowing before release of movie  that where story will go but they just watched all this movie to watch his favourite hero on screen sung by his favourite  song by rafiji  only.</p>
<p>so directly or indirectly behind every sucsessful film it was  rafijis hit  songs.</p>
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		<title>By: Nasir Ali</title>
		<link>http://www.mohdrafi.com/newspapers/the-last-journey-of-mohd-rafi.html#comment-358</link>
		<dc:creator>Nasir Ali</dc:creator>
		<pubDate>Tue, 25 Apr 2006 17:19:28 +0000</pubDate>
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		<description>Yes, the duo of Naushad-Rafi was formidable. But I am sure it was Rafi Sahaab with his great range of voice who must have compelled Naushad to harness his great talent.  Dont forget that in Naushads  own home production of 1950, Babul, it was Talat Mehmood all the way singing for Dilip Kumar.  There, Rafi's voice used as a background for NADI KINARE.. But in Naushad's later home production, Uran Khatola (1954),  only Rafi sang all the male lead songs, with the evergreen: O door ke musafir.  And yes, in his another own production Palki,  only Rafi could sing for Rajendra kumar, except for the title background song that was rendered by Manna Dey.  I personally feel, it was Rafi Sahaab who amply paid back Naushad Sahaab for the intial trust the latter had reposed in him.</description>
		<content:encoded><![CDATA[<p>Yes, the duo of Naushad-Rafi was formidable. But I am sure it was Rafi Sahaab with his great range of voice who must have compelled Naushad to harness his great talent.  Dont forget that in Naushads  own home production of 1950, Babul, it was Talat Mehmood all the way singing for Dilip Kumar.  There, Rafi&#8217;s voice used as a background for NADI KINARE.. But in Naushad&#8217;s later home production, Uran Khatola (1954),  only Rafi sang all the male lead songs, with the evergreen: O door ke musafir.  And yes, in his another own production Palki,  only Rafi could sing for Rajendra kumar, except for the title background song that was rendered by Manna Dey.  I personally feel, it was Rafi Sahaab who amply paid back Naushad Sahaab for the intial trust the latter had reposed in him.</p>
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		<title>By: Bonifacius</title>
		<link>http://www.mohdrafi.com/newspapers/the-last-journey-of-mohd-rafi.html#comment-210</link>
		<dc:creator>Bonifacius</dc:creator>
		<pubDate>Sat, 08 Apr 2006 16:16:23 +0000</pubDate>
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		<description>Great article. I am just sad I dont know how to reply properly, though, since I want to show my appreciation like many other.</description>
		<content:encoded><![CDATA[<p>Great article. I am just sad I dont know how to reply properly, though, since I want to show my appreciation like many other.</p>
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