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	<title>Comments on: Rafi&#8217;s Late Entry</title>
	<link>http://www.mohdrafi.com/meri-awaaz-suno/rafis-late-entry.html</link>
	<description>It's all about Mohd Rafi</description>
	<pubDate>Wed, 20 Aug 2008 22:40:15 +0000</pubDate>
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	<item>
		<title>by: Ahamed Kutty</title>
		<link>http://www.mohdrafi.com/meri-awaaz-suno/rafis-late-entry.html#comment-12953</link>
		<pubDate>Tue, 25 Sep 2007 08:50:34 +0000</pubDate>
		<guid>http://www.mohdrafi.com/meri-awaaz-suno/rafis-late-entry.html#comment-12953</guid>
					<description>Not only the songs in which Rafi saab entering in the last the other way to say that the same songs sung by rafi saab and lataji separately,such songs rafi saabs songs became super hits.for example title song of film "mere mehaoob" music by Naushad,tum muje yoon from film pagla kahika,teri ankohn ke siva from film chirag,ehsaan tera ho ga mujpar from film junglee.

Ahamed Kutty,Kerala</description>
		<content:encoded><![CDATA[<p>Not only the songs in which Rafi saab entering in the last the other way to say that the same songs sung by rafi saab and lataji separately,such songs rafi saabs songs became super hits.for example title song of film &#8220;mere mehaoob&#8221; music by Naushad,tum muje yoon from film pagla kahika,teri ankohn ke siva from film chirag,ehsaan tera ho ga mujpar from film junglee.</p>
<p>Ahamed Kutty,Kerala
</p>
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		<title>by: gmailinet</title>
		<link>http://www.mohdrafi.com/meri-awaaz-suno/rafis-late-entry.html#comment-12932</link>
		<pubDate>Tue, 25 Sep 2007 00:08:09 +0000</pubDate>
		<guid>http://www.mohdrafi.com/meri-awaaz-suno/rafis-late-entry.html#comment-12932</guid>
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				</item>
	<item>
		<title>by: binus2000</title>
		<link>http://www.mohdrafi.com/meri-awaaz-suno/rafis-late-entry.html#comment-12202</link>
		<pubDate>Sat, 15 Sep 2007 03:41:42 +0000</pubDate>
		<guid>http://www.mohdrafi.com/meri-awaaz-suno/rafis-late-entry.html#comment-12202</guid>
					<description>Gurumurthy Ji: 

It is not known why raju bharatan wrote this; but one sure reason
was to create controversy and increase the sale of the illustrated
weekly : whose circulation had peaked during sardar khushwant
singhs tenure. Secondly, raju was close to many lobbies in the
film industry - and he was only reporting the views of one lobby
which did not care for rafi saab.
Please do not forget that 98 percent m.d.s were with rafi and in the
period raju has written some very good articles about rafi.
In one article : he said that : rafi finished a recording in the first
take but asha bhosle was not getting it right and the recording
went on for long hours. the m.d. was the blue -eyed boy of asha then
the incomparable - o.p. nayyar.
Mr.raju bharatan also has written many contradictory articles but
he is an out and out rafi supporter. 
With lata he jelled well but after his book on lata they became bitter
foes. May be he wrote that she has sung 6000 songs : which is the
truth.. Her name was removed from the Guiness book of records when
this fact was proved.
In short , rafi saab is a lotus : in this murky pond of filmdon and for
ever people will be discussing : whether he was a better human being
or the greatest singer the world has produced.

binu nair.</description>
		<content:encoded><![CDATA[<p>Gurumurthy Ji: </p>
<p>It is not known why raju bharatan wrote this; but one sure reason<br />
was to create controversy and increase the sale of the illustrated<br />
weekly : whose circulation had peaked during sardar khushwant<br />
singhs tenure. Secondly, raju was close to many lobbies in the<br />
film industry - and he was only reporting the views of one lobby<br />
which did not care for rafi saab.<br />
Please do not forget that 98 percent m.d.s were with rafi and in the<br />
period raju has written some very good articles about rafi.<br />
In one article : he said that : rafi finished a recording in the first<br />
take but asha bhosle was not getting it right and the recording<br />
went on for long hours. the m.d. was the blue -eyed boy of asha then<br />
the incomparable - o.p. nayyar.<br />
Mr.raju bharatan also has written many contradictory articles but<br />
he is an out and out rafi supporter.<br />
With lata he jelled well but after his book on lata they became bitter<br />
foes. May be he wrote that she has sung 6000 songs : which is the<br />
truth.. Her name was removed from the Guiness book of records when<br />
this fact was proved.<br />
In short , rafi saab is a lotus : in this murky pond of filmdon and for<br />
ever people will be discussing : whether he was a better human being<br />
or the greatest singer the world has produced.</p>
<p>binu nair.
</p>
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		<title>by: H.V.GURU MURTHY</title>
		<link>http://www.mohdrafi.com/meri-awaaz-suno/rafis-late-entry.html#comment-12171</link>
		<pubDate>Fri, 14 Sep 2007 10:42:21 +0000</pubDate>
		<guid>http://www.mohdrafi.com/meri-awaaz-suno/rafis-late-entry.html#comment-12171</guid>
					<description>I still remember the article written by Mr. Raju Bharatan in the early seventies when KK was peaking. Mr. Bharatan wrote that during discussions with Music Director Anil Biswas, Mr. Biswas opined that KK is better than Rafi and Rafi is not a good singer, which Mr. Bharatan agreed in a way. Next few months there were spate of letters from Readers criticising both Mr. Bharatan and Mr. Biswas and vividly describing the talents, capabilities and contribution of Rafiji. In fact, the Editors had to decalre after few months that further correspondence on the subject closed.  Mr. Raju Bharatan incidentally wrote one more article if I remeber properly after Rafiji's demise applauding the contribution of Rafiji to Indian film music as well as admitting that perhaps he was not mature enough while writing the earlier article during early seventies about Rafiji.</description>
		<content:encoded><![CDATA[<p>I still remember the article written by Mr. Raju Bharatan in the early seventies when KK was peaking. Mr. Bharatan wrote that during discussions with Music Director Anil Biswas, Mr. Biswas opined that KK is better than Rafi and Rafi is not a good singer, which Mr. Bharatan agreed in a way. Next few months there were spate of letters from Readers criticising both Mr. Bharatan and Mr. Biswas and vividly describing the talents, capabilities and contribution of Rafiji. In fact, the Editors had to decalre after few months that further correspondence on the subject closed.  Mr. Raju Bharatan incidentally wrote one more article if I remeber properly after Rafiji&#8217;s demise applauding the contribution of Rafiji to Indian film music as well as admitting that perhaps he was not mature enough while writing the earlier article during early seventies about Rafiji.
</p>
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		<title>by: RAMAKRISHNA</title>
		<link>http://www.mohdrafi.com/meri-awaaz-suno/rafis-late-entry.html#comment-12050</link>
		<pubDate>Thu, 13 Sep 2007 05:42:48 +0000</pubDate>
		<guid>http://www.mohdrafi.com/meri-awaaz-suno/rafis-late-entry.html#comment-12050</guid>
					<description>ref post 19
aamir mallik rahi jee,

now coming back to the likes &#38; deslikes of anil biswas, he was loving talat mahmood jee very very much. In one of the saregama programme compered by sonu nigam long back I have seen anil biswas brought a laminated photo of talat jee &#38; was kssing it so many times. during that time talat jee was bed ridden . anil biswas was praying the almighty for the cure of talat jee. 

even salil chowdhury was trying to avoid rafi sahab &#38; was every time prefering mukesh jee. but look finally he had to yeild before the gifted talent of Rafi sahab &#38; had to knock at his door for the  two songs in madhumati &#38; one in maaya.

once upon a time jagjit singh was also commenting on rafi sahab. but finally he also understood what an ocean is.

Finally I can tell you sir, people standing at the river bank cant measure the depth of the ocean. This is my view please.</description>
		<content:encoded><![CDATA[<p>ref post 19<br />
aamir mallik rahi jee,</p>
<p>now coming back to the likes &amp; deslikes of anil biswas, he was loving talat mahmood jee very very much. In one of the saregama programme compered by sonu nigam long back I have seen anil biswas brought a laminated photo of talat jee &amp; was kssing it so many times. during that time talat jee was bed ridden . anil biswas was praying the almighty for the cure of talat jee. </p>
<p>even salil chowdhury was trying to avoid rafi sahab &amp; was every time prefering mukesh jee. but look finally he had to yeild before the gifted talent of Rafi sahab &amp; had to knock at his door for the  two songs in madhumati &amp; one in maaya.</p>
<p>once upon a time jagjit singh was also commenting on rafi sahab. but finally he also understood what an ocean is.</p>
<p>Finally I can tell you sir, people standing at the river bank cant measure the depth of the ocean. This is my view please.
</p>
]]></content:encoded>
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	<item>
		<title>by: RAMAKRISHNA</title>
		<link>http://www.mohdrafi.com/meri-awaaz-suno/rafis-late-entry.html#comment-12042</link>
		<pubDate>Thu, 13 Sep 2007 03:56:21 +0000</pubDate>
		<guid>http://www.mohdrafi.com/meri-awaaz-suno/rafis-late-entry.html#comment-12042</guid>
					<description>ref post 19
aamir malik rahi jee,

yes ' ab meri baari aayi ' lip sync given by amjad khan . it was the punch line .

To justify this line I can say that I heard amjad khan was the first person to arrive at site immediatly after getting the news of the demise of rafi sahab.

Sunil dutt jee, Dharmendra jee, sanjeev kumar jee were the persons who never changed their stand , views. love, respect &#38; affections for rafi sahab when others used Rafi sahab as a threshold in their path of success. To our astonishment Rafi sahab never regreted over this issue. He is a 'mahatma' I can say.

Of course the world is a mixture of all sorts. This does not make any difference to the great 'elephant'. As we know the elephant remains as elephant whether it is living or left.</description>
		<content:encoded><![CDATA[<p>ref post 19<br />
aamir malik rahi jee,</p>
<p>yes &#8216; ab meri baari aayi &#8216; lip sync given by amjad khan . it was the punch line .</p>
<p>To justify this line I can say that I heard amjad khan was the first person to arrive at site immediatly after getting the news of the demise of rafi sahab.</p>
<p>Sunil dutt jee, Dharmendra jee, sanjeev kumar jee were the persons who never changed their stand , views. love, respect &amp; affections for rafi sahab when others used Rafi sahab as a threshold in their path of success. To our astonishment Rafi sahab never regreted over this issue. He is a &#8216;mahatma&#8217; I can say.</p>
<p>Of course the world is a mixture of all sorts. This does not make any difference to the great &#8216;elephant&#8217;. As we know the elephant remains as elephant whether it is living or left.
</p>
]]></content:encoded>
				</item>
	<item>
		<title>by: Aamir Malik Rahi</title>
		<link>http://www.mohdrafi.com/meri-awaaz-suno/rafis-late-entry.html#comment-11832</link>
		<pubDate>Tue, 11 Sep 2007 16:05:20 +0000</pubDate>
		<guid>http://www.mohdrafi.com/meri-awaaz-suno/rafis-late-entry.html#comment-11832</guid>
					<description>i remember one more song from the film Samraat, in which Amjad Khan sings the last lines to end the song. "ab meri bari ayee, jigar thaan lo" which offcourse was the punch line.
also could anybody research about the Music Director Anil Biswas, because i have read that he was not that fond of Our Rafi Saheb &#38; also did not consider him a singer</description>
		<content:encoded><![CDATA[<p>i remember one more song from the film Samraat, in which Amjad Khan sings the last lines to end the song. &#8220;ab meri bari ayee, jigar thaan lo&#8221; which offcourse was the punch line.<br />
also could anybody research about the Music Director Anil Biswas, because i have read that he was not that fond of Our Rafi Saheb &amp; also did not consider him a singer
</p>
]]></content:encoded>
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		<title>by: Narayanan</title>
		<link>http://www.mohdrafi.com/meri-awaaz-suno/rafis-late-entry.html#comment-11384</link>
		<pubDate>Fri, 07 Sep 2007 06:20:34 +0000</pubDate>
		<guid>http://www.mohdrafi.com/meri-awaaz-suno/rafis-late-entry.html#comment-11384</guid>
					<description>Yes Ramaswamy sir,
You are absolutely right that is one of the reasons todays singers emulate this great impact of Rafi saab but ofcourse do not succeed as there is only one Sun on this planet.
Simillarly Rafi saab is the solitary Sun in this universe who gives light to others</description>
		<content:encoded><![CDATA[<p>Yes Ramaswamy sir,<br />
You are absolutely right that is one of the reasons todays singers emulate this great impact of Rafi saab but ofcourse do not succeed as there is only one Sun on this planet.<br />
Simillarly Rafi saab is the solitary Sun in this universe who gives light to others
</p>
]]></content:encoded>
				</item>
	<item>
		<title>by: H.V.GURU MURTHY</title>
		<link>http://www.mohdrafi.com/meri-awaaz-suno/rafis-late-entry.html#comment-11370</link>
		<pubDate>Fri, 07 Sep 2007 02:52:24 +0000</pubDate>
		<guid>http://www.mohdrafi.com/meri-awaaz-suno/rafis-late-entry.html#comment-11370</guid>
					<description>Dear Ramaswamyji,

I fully agree with you, Rafi's voice touches your heart and anything which touches our heart stays there forever. Rafiji, Aapto Gayakon Ke Badshah Ho.</description>
		<content:encoded><![CDATA[<p>Dear Ramaswamyji,</p>
<p>I fully agree with you, Rafi&#8217;s voice touches your heart and anything which touches our heart stays there forever. Rafiji, Aapto Gayakon Ke Badshah Ho.
</p>
]]></content:encoded>
				</item>
	<item>
		<title>by: N.G.RAMASWAMY</title>
		<link>http://www.mohdrafi.com/meri-awaaz-suno/rafis-late-entry.html#comment-11302</link>
		<pubDate>Thu, 06 Sep 2007 15:23:56 +0000</pubDate>
		<guid>http://www.mohdrafi.com/meri-awaaz-suno/rafis-late-entry.html#comment-11302</guid>
					<description>Dear Guruji,

     I totally agree with the article and also the comments offered by Shri Ramakrishna.  Whether it is first entry, middle entry or late entry only Rafi saab's voice captures our heart and soul.  In the song, Yaadon ki Bharat, hear the difference when Rafi saab sings "Badlena Apnaye" and also "Apne Angan Nache Gayenge, Chanda Sitare". Can anybody else give such finishing
touches to the song.   Why RD used Rafi saab's voice and not kk in the end?
When RD uses kk, the music &#38; the song block the ear, but when he uses Rafi saab, his voice totally dominates the music and hits the soul.   Pl. reply.</description>
		<content:encoded><![CDATA[<p>Dear Guruji,</p>
<p>     I totally agree with the article and also the comments offered by Shri Ramakrishna.  Whether it is first entry, middle entry or late entry only Rafi saab&#8217;s voice captures our heart and soul.  In the song, Yaadon ki Bharat, hear the difference when Rafi saab sings &#8220;Badlena Apnaye&#8221; and also &#8220;Apne Angan Nache Gayenge, Chanda Sitare&#8221;. Can anybody else give such finishing<br />
touches to the song.   Why RD used Rafi saab&#8217;s voice and not kk in the end?<br />
When RD uses kk, the music &amp; the song block the ear, but when he uses Rafi saab, his voice totally dominates the music and hits the soul.   Pl. reply.
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