<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
		>
<channel>
	<title>Comments on: Rafi in Background</title>
	<atom:link href="http://www.mohdrafi.com/meri-awaaz-suno/rafi-in-background.html/feed" rel="self" type="application/rss+xml" />
	<link>http://www.mohdrafi.com/meri-awaaz-suno/rafi-in-background.html</link>
	<description>It&#039;s all about Mohd Rafi</description>
	<lastBuildDate>Sun, 21 Mar 2010 19:18:39 +0530</lastBuildDate>
	<generator>http://wordpress.org/?v=2.9.1</generator>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
		<item>
		<title>By: t k nandi</title>
		<link>http://www.mohdrafi.com/meri-awaaz-suno/rafi-in-background.html/comment-page-3#comment-84613</link>
		<dc:creator>t k nandi</dc:creator>
		<pubDate>Fri, 07 Aug 2009 20:49:43 +0000</pubDate>
		<guid isPermaLink="false">http://www.mohdrafi.com/meri-awaaz-suno/rafi-in-background.html#comment-84613</guid>
		<description>one butful song not mentioned, log to markar jalte honge , mai to jeekar jalta hu frm gauri.great song avlbl in you tube.listen n njoy.</description>
		<content:encoded><![CDATA[<p>one butful song not mentioned, log to markar jalte honge , mai to jeekar jalta hu frm gauri.great song avlbl in you tube.listen n njoy.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Nasir</title>
		<link>http://www.mohdrafi.com/meri-awaaz-suno/rafi-in-background.html/comment-page-3#comment-76520</link>
		<dc:creator>Nasir</dc:creator>
		<pubDate>Fri, 29 May 2009 15:11:40 +0000</pubDate>
		<guid isPermaLink="false">http://www.mohdrafi.com/meri-awaaz-suno/rafi-in-background.html#comment-76520</guid>
		<description>An excellent write-up Anmol!

Has this one been mentioned as the Rafi Sahaab&#039;s background song?  LE LO LE LO DUAAYE.N MAA BAAP KEE...? This was from the budding Rajendra Kumar starrer, MAA-BAAP (I hope I got the name right) a 1960 flick.  

Besides, has Rafi Sahaab also sung RAHE NA RAHE HAMM as mentioned by you? We all know that it&#039;s is a Lata number?   

Regarding the Be-Rehem number, it is TAQDEER KE QALAM SE....

Regarding Asha Bhonsle, one is for sure: She is not a Rafi admirer.  Don&#039;t know if that is the fallout of her buried relationship with O.P. Nayyar who  had said that if there was no Rafi, there would be no O.P.  Also, as I have mentioned elsewhere, Asha Bhonsle had unequivocally had said in an RKB show that she listens only to Kishore Kumar and Lata Mangeshkar and added that maybe some people might resent her sayfing so.  We understand what was working in her mind then.   

I admire the outbursts of Rafifan in #46.  Hats off to you.  Being diplomat is of no avail.  We, Rafi Sahaab&#039;s fan must speak out in defence if anythig belittles Rafi Sahaab.</description>
		<content:encoded><![CDATA[<p>An excellent write-up Anmol!</p>
<p>Has this one been mentioned as the Rafi Sahaab&#8217;s background song?  LE LO LE LO DUAAYE.N MAA BAAP KEE&#8230;? This was from the budding Rajendra Kumar starrer, MAA-BAAP (I hope I got the name right) a 1960 flick.  </p>
<p>Besides, has Rafi Sahaab also sung RAHE NA RAHE HAMM as mentioned by you? We all know that it&#8217;s is a Lata number?   </p>
<p>Regarding the Be-Rehem number, it is TAQDEER KE QALAM SE&#8230;.</p>
<p>Regarding Asha Bhonsle, one is for sure: She is not a Rafi admirer.  Don&#8217;t know if that is the fallout of her buried relationship with O.P. Nayyar who  had said that if there was no Rafi, there would be no O.P.  Also, as I have mentioned elsewhere, Asha Bhonsle had unequivocally had said in an RKB show that she listens only to Kishore Kumar and Lata Mangeshkar and added that maybe some people might resent her sayfing so.  We understand what was working in her mind then.   </p>
<p>I admire the outbursts of Rafifan in #46.  Hats off to you.  Being diplomat is of no avail.  We, Rafi Sahaab&#8217;s fan must speak out in defence if anythig belittles Rafi Sahaab.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Sagar</title>
		<link>http://www.mohdrafi.com/meri-awaaz-suno/rafi-in-background.html/comment-page-3#comment-39762</link>
		<dc:creator>Sagar</dc:creator>
		<pubDate>Mon, 29 Sep 2008 10:43:35 +0000</pubDate>
		<guid isPermaLink="false">http://www.mohdrafi.com/meri-awaaz-suno/rafi-in-background.html#comment-39762</guid>
		<description>Anmol Sir,

You are right !! when you have mentioned the song Na Tu Zameen Ke Liye !!!!

The picturisation of that song is also fantastic, but what made the difference was the sound echo .... I dont see any better singer than Rafi Sahab.. anytime.

What makes uneasy is that whenever interviews are held of these Legends they hardly make or give any credits to Rafi Sahab ... I think there music and composition would have been empty if Rafi Sahab&#039;s voice wouldn&#039;t had been a part of their songs.</description>
		<content:encoded><![CDATA[<p>Anmol Sir,</p>
<p>You are right !! when you have mentioned the song Na Tu Zameen Ke Liye !!!!</p>
<p>The picturisation of that song is also fantastic, but what made the difference was the sound echo &#8230;. I dont see any better singer than Rafi Sahab.. anytime.</p>
<p>What makes uneasy is that whenever interviews are held of these Legends they hardly make or give any credits to Rafi Sahab &#8230; I think there music and composition would have been empty if Rafi Sahab&#8217;s voice wouldn&#8217;t had been a part of their songs.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Parvesh Kumar Uppal</title>
		<link>http://www.mohdrafi.com/meri-awaaz-suno/rafi-in-background.html/comment-page-3#comment-38947</link>
		<dc:creator>Parvesh Kumar Uppal</dc:creator>
		<pubDate>Fri, 12 Sep 2008 07:02:47 +0000</pubDate>
		<guid isPermaLink="false">http://www.mohdrafi.com/meri-awaaz-suno/rafi-in-background.html#comment-38947</guid>
		<description>Rafi  sahab  was  capable  to  sing  songs  of  any mood,  any  style.   He  was  a  gift  from  god  to  the  film  industry.  Film  Industry  was  depended  on  him  for  more  than  25  years.  I  remeber  him  everyday.</description>
		<content:encoded><![CDATA[<p>Rafi  sahab  was  capable  to  sing  songs  of  any mood,  any  style.   He  was  a  gift  from  god  to  the  film  industry.  Film  Industry  was  depended  on  him  for  more  than  25  years.  I  remeber  him  everyday.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: tahir</title>
		<link>http://www.mohdrafi.com/meri-awaaz-suno/rafi-in-background.html/comment-page-3#comment-35968</link>
		<dc:creator>tahir</dc:creator>
		<pubDate>Fri, 01 Aug 2008 08:50:48 +0000</pubDate>
		<guid isPermaLink="false">http://www.mohdrafi.com/meri-awaaz-suno/rafi-in-background.html#comment-35968</guid>
		<description>i need all songs of old film ...khul ja sim sim...please if any one have send it to my mail ..plz</description>
		<content:encoded><![CDATA[<p>i need all songs of old film &#8230;khul ja sim sim&#8230;please if any one have send it to my mail ..plz</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Anmol Singh</title>
		<link>http://www.mohdrafi.com/meri-awaaz-suno/rafi-in-background.html/comment-page-3#comment-35224</link>
		<dc:creator>Anmol Singh</dc:creator>
		<pubDate>Mon, 21 Jul 2008 10:18:50 +0000</pubDate>
		<guid isPermaLink="false">http://www.mohdrafi.com/meri-awaaz-suno/rafi-in-background.html#comment-35224</guid>
		<description>Arun Gautam Ji,

Thanks for the update. You have indeed listed so many songs sung by Rafi Sahab in background; which we fans where not at all aware. 

Rafi Sahab ke jaane ke baad music kaa anntt ho gayaa. Normal gaane bhi sunne ko nahi milte the; background to bahut dur ki baat hai.

Kuch expection the
- Maangi The Ek dua (Sad) - M Kapoor (Shakti)
- Kya Khabar Kya Samaa - K Kumar (Saaheb)
- Dil Tera Kisne Todaa - Munna Aziz (Dayavan)
- Mera Kuch Saaman Lotaa Do -  Asha (Ijaazt)
- Rote Rote Hasna Seekho (Sad) - K kumar (Andha Kanoon)</description>
		<content:encoded><![CDATA[<p>Arun Gautam Ji,</p>
<p>Thanks for the update. You have indeed listed so many songs sung by Rafi Sahab in background; which we fans where not at all aware. </p>
<p>Rafi Sahab ke jaane ke baad music kaa anntt ho gayaa. Normal gaane bhi sunne ko nahi milte the; background to bahut dur ki baat hai.</p>
<p>Kuch expection the<br />
- Maangi The Ek dua (Sad) &#8211; M Kapoor (Shakti)<br />
- Kya Khabar Kya Samaa &#8211; K Kumar (Saaheb)<br />
- Dil Tera Kisne Todaa &#8211; Munna Aziz (Dayavan)<br />
- Mera Kuch Saaman Lotaa Do &#8211;  Asha (Ijaazt)<br />
- Rote Rote Hasna Seekho (Sad) &#8211; K kumar (Andha Kanoon)</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: arun gautam</title>
		<link>http://www.mohdrafi.com/meri-awaaz-suno/rafi-in-background.html/comment-page-3#comment-34896</link>
		<dc:creator>arun gautam</dc:creator>
		<pubDate>Wed, 16 Jul 2008 06:41:40 +0000</pubDate>
		<guid isPermaLink="false">http://www.mohdrafi.com/meri-awaaz-suno/rafi-in-background.html#comment-34896</guid>
		<description>à¤°à¤«à¥€ à¤¸à¤¾à¤¹à¤¬ à¤¦à¥à¤µà¤¾à¤°à¤¾ à¤…à¤ªà¤¨à¥‡ à¤—à¤¾à¤¨à¥‹à¤‚ à¤•à¥€ à¤¶à¥à¤°à¥‚à¤†à¤¤ à¤¹à¥€ à¤¬à¥ˆà¤•à¤—à¥à¤°à¤¾à¤‰à¤‚à¤¡ à¤—à¤¾à¤¨à¥‹à¤‚ à¤¸à¥‡ à¤•à¥€ à¤¥à¥€ à¤”à¤° à¤‰à¤¨à¥à¤¹à¥‡à¤‚ à¤‡à¤¨à¥à¤¹à¥€ à¤—à¥€à¤¤à¥‹à¤‚ à¤•à¥‡ à¤¬à¤² à¤ªà¤° à¤µà¤¹ à¤à¤• à¤¬à¥‡à¤¹à¤¤à¤°à¥€à¤¨ à¤¸à¤¿à¤‚à¤—à¤° à¤•à¥‡ à¤°à¥‚à¤ª à¤®à¥‡à¤‚ à¤¸à¥à¤¥à¤¾à¤ªà¤¿à¤¤ à¤¹à¥à¤ à¥¤ à¤‰à¤¨à¥à¤¹à¥‹à¤‚à¤¨à¥‡ &quot; à¤¯à¥‡ à¤œà¤¿à¤‚à¤¦à¤—à¥€ à¤•à¥‡ à¤®à¥‡à¤²à¥‡ à¤¦à¥à¤¨à¤¿à¤¯à¤¾ à¤®à¥‡à¤‚ à¤•à¤® à¤¨ à¤¹à¥‹à¤‚à¤—à¥‡(à¤®à¥‡à¤²à¤¾) , à¤à¤• à¤ªà¥ˆà¤¸à¤¾ à¤¦à¥‡ à¤¦à¥‡ à¤¬à¤¾à¤¬à¥‚ à¤à¤• à¤ªà¥ˆà¤¸à¤¾ à¤¦à¥‡ à¤¦à¥‡ (à¤µà¤šà¤¨), à¤¤à¥‡à¤°à¤¾ à¤–à¤¿à¤²à¥Œà¤¨à¤¾ à¤Ÿà¥‚à¤Ÿà¤¾ à¤¬à¤¾à¤²à¤• à¤¤à¥‡à¤°à¤¾ à¤–à¤¿à¤²à¥Œà¤¨à¤¾ à¤Ÿà¥‚à¤Ÿà¤¾(à¤…à¤¨à¤®à¥‹à¤² à¤˜à¤¡à¤¼à¥€) à¤—à¥€à¤¤ à¤—à¤¾à¤•à¤° à¤…à¤ªà¤¨à¥‡ à¤ªà¤¹à¤šà¤¾à¤¨ à¤•à¤¾à¤¯à¤® à¤•à¥€ à¥¤ à¤‡à¤¸à¤•à¥‡ à¤¬à¤¾à¤¦ à¤‰à¤¨à¥à¤¹à¥‹à¤‚à¤¨à¥‡ à¤¬à¥ˆà¤•à¤—à¥à¤°à¤¾à¤‰à¤‚à¤¡ à¤—à¥€à¤¤ à¤—à¤¾à¤•à¤° à¤¸à¤¬à¤•à¥‡ à¤šà¤¹à¥‡à¤¤à¥‡ à¤¸à¤¿à¤‚à¤—à¤° à¤¬à¤¨ à¤—à¤ à¤œà¥ˆà¤¸à¥‡ à¤¤à¥‡à¤°à¤¾ à¤†à¤¨à¤¾ à¤­à¥€ à¤§à¥‹à¤–à¤¾ à¤¥à¤¾ à¤¤à¥‡à¤°à¤¾ à¤œà¤¾à¤¨à¤¾ à¤­à¥€ à¤§à¥‹à¤–à¤¾ à¤¥à¤¾, à¤°à¤¾à¤¤ à¤­à¤° à¤•à¤¾ à¤®à¥‡à¤¹à¤®à¤¾à¤‚ à¤…à¤‚à¤§à¥‡à¤°à¤¾ à¤•à¤¿à¤¸à¤•à¥‡ à¤°à¥‹à¤•à¥‡ à¤°à¥‚à¤•à¤¾ à¤¹à¥ˆ à¤…à¤‚à¤§à¥‡à¤°à¤¾, à¤•à¥à¤¯à¤¾ à¤§à¤°à¤¤à¥€ à¤”à¤° à¤•à¥à¤¯à¤¾ à¤†à¤•à¤¾à¤¶ à¤¸à¤¬à¤•à¥‹ à¤ªà¥à¤¯à¤¾à¤° à¤•à¥€ à¤ªà¥à¤¯à¤¾à¤¸,à¤…à¤¬ à¤•à¥‹à¤ˆ à¤—à¥à¤²à¤¶à¤¨ à¤¨ à¤‰à¤œà¤¡à¤¼à¥‡ à¤…à¤¬ à¤µà¤¤à¤¨ à¤†à¤œà¤¾à¤¦ à¤¹à¥ˆ, à¤®à¤¿à¤²à¤•à¤° à¤¬à¥ˆà¤ à¥‹à¤‚ à¤œà¥‹à¤¡à¤¼à¥‹ à¤¬à¤‚à¤§à¤¨, à¤¬à¤¤à¤¾ à¤®à¥à¤à¥‡ à¤“ à¤œà¤¹à¤¾à¤ à¤•à¥‡ à¤®à¤¾à¤²à¤¿à¤• à¤¯à¥‡ à¤•à¥à¤¯à¤¾ à¤¨à¤œà¤¾à¤°à¥‡ à¤¦à¤¿à¤–à¤¾ à¤°à¤¹à¤¾ à¤¹à¥ˆ à¤¤à¥‡à¤°à¥‡ à¤¸à¤®à¥à¤¨à¥à¤¦à¤° à¤®à¥‡à¤‚ à¤•à¥à¤¯à¤¾ à¤•à¤®à¥€ à¤¥à¥€ à¤œà¥‹ à¤†à¤¦à¤®à¥€ à¤•à¥‹ à¤°à¥‚à¤²à¤¾ à¤°à¤¹à¤¾ à¤¹à¥ˆ, à¤¤à¥‡à¤°à¥€ à¤†à¤µà¤¾à¤œ à¤•à¥€ à¤œà¤¾à¤¦à¥‚à¤—à¤°à¥€ à¤¸à¥‡ à¤¨ à¤œà¤¾à¤¨à¥‡ à¤•à¤¿à¤¸ à¤œà¤¹à¥‰ à¤®à¥‡à¤‚ à¤–à¥‹ à¤—à¤¯à¤¾ à¤¹à¥‚à¤, à¤…à¤•à¥‡à¤²à¤¾ à¤¹à¥‚à¤ à¤®à¥ˆà¤‚ à¤¹à¤®à¤¸à¤«à¤° à¤¢à¥‚à¤¢à¤¼à¤¤à¤¾ à¤¹à¥‚à¤, à¤…à¤•à¥‡à¤²à¤¾ à¤¹à¥‚à¤ à¤®à¥ˆà¤‚ à¤‡à¤¸ à¤¦à¥à¤¨à¤¿à¤¯à¤¾ à¤®à¥‡à¤‚ à¤•à¥‹à¤ˆ à¤¸à¤¾à¤¥à¥€ à¤¹à¥ˆ à¤¤à¥‹ à¤®à¥‡à¤°à¤¾ à¤¸à¤¾à¤¯à¤¾, à¤¦à¤¾à¤®à¤¨ à¤®à¥‡à¤‚ à¤†à¤— à¤²à¤—à¤¾ à¤¬à¥ˆà¤ à¥‡ à¤¹à¤® à¤ªà¥à¤¯à¤¾à¤° à¤®à¥‡à¤‚ à¤§à¥‹à¤–à¤¾ à¤–à¤¾ à¤¬à¥ˆà¤‚à¤ à¥‡, à¤®à¥ˆà¤‚ à¤¬à¥ˆà¤ à¤¾ à¤¹à¥‚à¤ à¤°à¤¾à¤¹à¥‹à¤‚ à¤®à¥‡à¤‚ à¤†à¤à¤–à¥‡à¤‚ à¤¬à¤¿à¤›à¤¾à¤ à¤¹à¥à¤ à¤†à¤¦à¤¿ à¤à¤¸à¥‡ à¤¹à¤œà¤¼à¤¾à¤°à¥‹à¤‚ à¤—à¥€à¤¤ à¤¹à¥ˆ à¤œà¤¿à¤¸à¤®à¥‡à¤‚ à¤°à¤«à¥€ à¤•à¥€ à¤°à¥ˆà¤‚à¤œ à¤•à¤¾ à¤ªà¤¤à¤¾ à¤šà¤²à¤¤à¤¾ à¤¹à¥ˆ à¥¤ à¤†à¤¶à¥à¤šà¤°à¥à¤¯ à¤•à¥€ à¤¬à¤¾à¤¤ à¤¹à¥ˆ à¤•à¤¿ à¤°à¤«à¥€ à¤•à¥‡ à¤¬à¤¾à¤¦ à¤¬à¥ˆà¤•à¤—à¥à¤°à¤¾à¤‰à¤‚à¤¡ à¤—à¥€à¤¤ à¤­à¥€ à¤¬à¤¨à¤¨à¥‡ à¤¬à¤‚à¤¦ à¤¹à¥‹ à¤—à¤ à¤¹à¥ˆà¤‚ à¥¤
	à¤°à¤«à¥€ à¤¸à¤¾à¤¹à¤¬ à¤•à¥‹ à¤¶à¤¤-à¤¶à¤¤ à¤¨à¤®à¤¨

à¤¨ à¤¤à¥à¤à¤¸à¤¾ à¤•à¥‹à¤ˆ à¤¤à¥‡à¤°à¥‡ à¤¬à¤¾à¤¦ à¤†à¤¯à¤¾, à¤®à¥‹à¤¹à¤®à¥à¤®à¤¦ à¤°à¤«à¥€ à¤¤à¥‚ à¤¬à¤¹à¥à¤¤ à¤¯à¤¾à¤¦ à¤†à¤¯à¤¾
à¤…à¤°à¥à¤£ à¤—à¥Œà¤¤à¤®
  akgautam@indiatimes.com</description>
		<content:encoded><![CDATA[<p>à¤°à¤«à¥€ à¤¸à¤¾à¤¹à¤¬ à¤¦à¥à¤µà¤¾à¤°à¤¾ à¤…à¤ªà¤¨à¥‡ à¤—à¤¾à¤¨à¥‹à¤‚ à¤•à¥€ à¤¶à¥à¤°à¥‚à¤†à¤¤ à¤¹à¥€ à¤¬à¥ˆà¤•à¤—à¥à¤°à¤¾à¤‰à¤‚à¤¡ à¤—à¤¾à¤¨à¥‹à¤‚ à¤¸à¥‡ à¤•à¥€ à¤¥à¥€ à¤”à¤° à¤‰à¤¨à¥à¤¹à¥‡à¤‚ à¤‡à¤¨à¥à¤¹à¥€ à¤—à¥€à¤¤à¥‹à¤‚ à¤•à¥‡ à¤¬à¤² à¤ªà¤° à¤µà¤¹ à¤à¤• à¤¬à¥‡à¤¹à¤¤à¤°à¥€à¤¨ à¤¸à¤¿à¤‚à¤—à¤° à¤•à¥‡ à¤°à¥‚à¤ª à¤®à¥‡à¤‚ à¤¸à¥à¤¥à¤¾à¤ªà¤¿à¤¤ à¤¹à¥à¤ à¥¤ à¤‰à¤¨à¥à¤¹à¥‹à¤‚à¤¨à¥‡ &#8221; à¤¯à¥‡ à¤œà¤¿à¤‚à¤¦à¤—à¥€ à¤•à¥‡ à¤®à¥‡à¤²à¥‡ à¤¦à¥à¤¨à¤¿à¤¯à¤¾ à¤®à¥‡à¤‚ à¤•à¤® à¤¨ à¤¹à¥‹à¤‚à¤—à¥‡(à¤®à¥‡à¤²à¤¾) , à¤à¤• à¤ªà¥ˆà¤¸à¤¾ à¤¦à¥‡ à¤¦à¥‡ à¤¬à¤¾à¤¬à¥‚ à¤à¤• à¤ªà¥ˆà¤¸à¤¾ à¤¦à¥‡ à¤¦à¥‡ (à¤µà¤šà¤¨), à¤¤à¥‡à¤°à¤¾ à¤–à¤¿à¤²à¥Œà¤¨à¤¾ à¤Ÿà¥‚à¤Ÿà¤¾ à¤¬à¤¾à¤²à¤• à¤¤à¥‡à¤°à¤¾ à¤–à¤¿à¤²à¥Œà¤¨à¤¾ à¤Ÿà¥‚à¤Ÿà¤¾(à¤…à¤¨à¤®à¥‹à¤² à¤˜à¤¡à¤¼à¥€) à¤—à¥€à¤¤ à¤—à¤¾à¤•à¤° à¤…à¤ªà¤¨à¥‡ à¤ªà¤¹à¤šà¤¾à¤¨ à¤•à¤¾à¤¯à¤® à¤•à¥€ à¥¤ à¤‡à¤¸à¤•à¥‡ à¤¬à¤¾à¤¦ à¤‰à¤¨à¥à¤¹à¥‹à¤‚à¤¨à¥‡ à¤¬à¥ˆà¤•à¤—à¥à¤°à¤¾à¤‰à¤‚à¤¡ à¤—à¥€à¤¤ à¤—à¤¾à¤•à¤° à¤¸à¤¬à¤•à¥‡ à¤šà¤¹à¥‡à¤¤à¥‡ à¤¸à¤¿à¤‚à¤—à¤° à¤¬à¤¨ à¤—à¤ à¤œà¥ˆà¤¸à¥‡ à¤¤à¥‡à¤°à¤¾ à¤†à¤¨à¤¾ à¤­à¥€ à¤§à¥‹à¤–à¤¾ à¤¥à¤¾ à¤¤à¥‡à¤°à¤¾ à¤œà¤¾à¤¨à¤¾ à¤­à¥€ à¤§à¥‹à¤–à¤¾ à¤¥à¤¾, à¤°à¤¾à¤¤ à¤­à¤° à¤•à¤¾ à¤®à¥‡à¤¹à¤®à¤¾à¤‚ à¤…à¤‚à¤§à¥‡à¤°à¤¾ à¤•à¤¿à¤¸à¤•à¥‡ à¤°à¥‹à¤•à¥‡ à¤°à¥‚à¤•à¤¾ à¤¹à¥ˆ à¤…à¤‚à¤§à¥‡à¤°à¤¾, à¤•à¥à¤¯à¤¾ à¤§à¤°à¤¤à¥€ à¤”à¤° à¤•à¥à¤¯à¤¾ à¤†à¤•à¤¾à¤¶ à¤¸à¤¬à¤•à¥‹ à¤ªà¥à¤¯à¤¾à¤° à¤•à¥€ à¤ªà¥à¤¯à¤¾à¤¸,à¤…à¤¬ à¤•à¥‹à¤ˆ à¤—à¥à¤²à¤¶à¤¨ à¤¨ à¤‰à¤œà¤¡à¤¼à¥‡ à¤…à¤¬ à¤µà¤¤à¤¨ à¤†à¤œà¤¾à¤¦ à¤¹à¥ˆ, à¤®à¤¿à¤²à¤•à¤° à¤¬à¥ˆà¤ à¥‹à¤‚ à¤œà¥‹à¤¡à¤¼à¥‹ à¤¬à¤‚à¤§à¤¨, à¤¬à¤¤à¤¾ à¤®à¥à¤à¥‡ à¤“ à¤œà¤¹à¤¾à¤ à¤•à¥‡ à¤®à¤¾à¤²à¤¿à¤• à¤¯à¥‡ à¤•à¥à¤¯à¤¾ à¤¨à¤œà¤¾à¤°à¥‡ à¤¦à¤¿à¤–à¤¾ à¤°à¤¹à¤¾ à¤¹à¥ˆ à¤¤à¥‡à¤°à¥‡ à¤¸à¤®à¥à¤¨à¥à¤¦à¤° à¤®à¥‡à¤‚ à¤•à¥à¤¯à¤¾ à¤•à¤®à¥€ à¤¥à¥€ à¤œà¥‹ à¤†à¤¦à¤®à¥€ à¤•à¥‹ à¤°à¥‚à¤²à¤¾ à¤°à¤¹à¤¾ à¤¹à¥ˆ, à¤¤à¥‡à¤°à¥€ à¤†à¤µà¤¾à¤œ à¤•à¥€ à¤œà¤¾à¤¦à¥‚à¤—à¤°à¥€ à¤¸à¥‡ à¤¨ à¤œà¤¾à¤¨à¥‡ à¤•à¤¿à¤¸ à¤œà¤¹à¥‰ à¤®à¥‡à¤‚ à¤–à¥‹ à¤—à¤¯à¤¾ à¤¹à¥‚à¤, à¤…à¤•à¥‡à¤²à¤¾ à¤¹à¥‚à¤ à¤®à¥ˆà¤‚ à¤¹à¤®à¤¸à¤«à¤° à¤¢à¥‚à¤¢à¤¼à¤¤à¤¾ à¤¹à¥‚à¤, à¤…à¤•à¥‡à¤²à¤¾ à¤¹à¥‚à¤ à¤®à¥ˆà¤‚ à¤‡à¤¸ à¤¦à¥à¤¨à¤¿à¤¯à¤¾ à¤®à¥‡à¤‚ à¤•à¥‹à¤ˆ à¤¸à¤¾à¤¥à¥€ à¤¹à¥ˆ à¤¤à¥‹ à¤®à¥‡à¤°à¤¾ à¤¸à¤¾à¤¯à¤¾, à¤¦à¤¾à¤®à¤¨ à¤®à¥‡à¤‚ à¤†à¤— à¤²à¤—à¤¾ à¤¬à¥ˆà¤ à¥‡ à¤¹à¤® à¤ªà¥à¤¯à¤¾à¤° à¤®à¥‡à¤‚ à¤§à¥‹à¤–à¤¾ à¤–à¤¾ à¤¬à¥ˆà¤‚à¤ à¥‡, à¤®à¥ˆà¤‚ à¤¬à¥ˆà¤ à¤¾ à¤¹à¥‚à¤ à¤°à¤¾à¤¹à¥‹à¤‚ à¤®à¥‡à¤‚ à¤†à¤à¤–à¥‡à¤‚ à¤¬à¤¿à¤›à¤¾à¤ à¤¹à¥à¤ à¤†à¤¦à¤¿ à¤à¤¸à¥‡ à¤¹à¤œà¤¼à¤¾à¤°à¥‹à¤‚ à¤—à¥€à¤¤ à¤¹à¥ˆ à¤œà¤¿à¤¸à¤®à¥‡à¤‚ à¤°à¤«à¥€ à¤•à¥€ à¤°à¥ˆà¤‚à¤œ à¤•à¤¾ à¤ªà¤¤à¤¾ à¤šà¤²à¤¤à¤¾ à¤¹à¥ˆ à¥¤ à¤†à¤¶à¥à¤šà¤°à¥à¤¯ à¤•à¥€ à¤¬à¤¾à¤¤ à¤¹à¥ˆ à¤•à¤¿ à¤°à¤«à¥€ à¤•à¥‡ à¤¬à¤¾à¤¦ à¤¬à¥ˆà¤•à¤—à¥à¤°à¤¾à¤‰à¤‚à¤¡ à¤—à¥€à¤¤ à¤­à¥€ à¤¬à¤¨à¤¨à¥‡ à¤¬à¤‚à¤¦ à¤¹à¥‹ à¤—à¤ à¤¹à¥ˆà¤‚ à¥¤<br />
	à¤°à¤«à¥€ à¤¸à¤¾à¤¹à¤¬ à¤•à¥‹ à¤¶à¤¤-à¤¶à¤¤ à¤¨à¤®à¤¨</p>
<p>à¤¨ à¤¤à¥à¤à¤¸à¤¾ à¤•à¥‹à¤ˆ à¤¤à¥‡à¤°à¥‡ à¤¬à¤¾à¤¦ à¤†à¤¯à¤¾, à¤®à¥‹à¤¹à¤®à¥à¤®à¤¦ à¤°à¤«à¥€ à¤¤à¥‚ à¤¬à¤¹à¥à¤¤ à¤¯à¤¾à¤¦ à¤†à¤¯à¤¾<br />
à¤…à¤°à¥à¤£ à¤—à¥Œà¤¤à¤®<br />
  <a href="mailto:akgautam@indiatimes.com">akgautam@indiatimes.com</a></p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Binu Nair</title>
		<link>http://www.mohdrafi.com/meri-awaaz-suno/rafi-in-background.html/comment-page-3#comment-31875</link>
		<dc:creator>Binu Nair</dc:creator>
		<pubDate>Thu, 05 Jun 2008 05:47:07 +0000</pubDate>
		<guid isPermaLink="false">http://www.mohdrafi.com/meri-awaaz-suno/rafi-in-background.html#comment-31875</guid>
		<description>re : post 125 : vipul ji: this gentleman has a rock hard point.

why do people do personal attacks. may be for few reasons. they do not have enough reason to take part in a discussion; they are jealous; and lastly, its the easiest thing. i prefer to call them &quot; two minute arm-chair critics.

pradip ji , pls have a rigorous identification of spam-sters and perverts so as to keep this site clean and endorse mr.vipuls point.

binu nair.</description>
		<content:encoded><![CDATA[<p>re : post 125 : vipul ji: this gentleman has a rock hard point.</p>
<p>why do people do personal attacks. may be for few reasons. they do not have enough reason to take part in a discussion; they are jealous; and lastly, its the easiest thing. i prefer to call them &#8221; two minute arm-chair critics.</p>
<p>pradip ji , pls have a rigorous identification of spam-sters and perverts so as to keep this site clean and endorse mr.vipuls point.</p>
<p>binu nair.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Vipul</title>
		<link>http://www.mohdrafi.com/meri-awaaz-suno/rafi-in-background.html/comment-page-3#comment-31860</link>
		<dc:creator>Vipul</dc:creator>
		<pubDate>Wed, 04 Jun 2008 21:44:13 +0000</pubDate>
		<guid isPermaLink="false">http://www.mohdrafi.com/meri-awaaz-suno/rafi-in-background.html#comment-31860</guid>
		<description>Anmol Singh, Great article. Thankx
I request every1 here to only discuss music and stay away from personal attack. I have gone thru all posts and did not like comments made by few people. I understand freedom of expression, but personal attacks can be avoided. 

We are here to talk about Rafi and Music.</description>
		<content:encoded><![CDATA[<p>Anmol Singh, Great article. Thankx<br />
I request every1 here to only discuss music and stay away from personal attack. I have gone thru all posts and did not like comments made by few people. I understand freedom of expression, but personal attacks can be avoided. </p>
<p>We are here to talk about Rafi and Music.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Anmol Singh</title>
		<link>http://www.mohdrafi.com/meri-awaaz-suno/rafi-in-background.html/comment-page-3#comment-31648</link>
		<dc:creator>Anmol Singh</dc:creator>
		<pubDate>Mon, 02 Jun 2008 08:32:40 +0000</pubDate>
		<guid isPermaLink="false">http://www.mohdrafi.com/meri-awaaz-suno/rafi-in-background.html#comment-31648</guid>
		<description>A Baruaole Ji

Thanks for the compliments. You are right with Rafi Sahab we can never get bored either in discussion or listening to his songs.</description>
		<content:encoded><![CDATA[<p>A Baruaole Ji</p>
<p>Thanks for the compliments. You are right with Rafi Sahab we can never get bored either in discussion or listening to his songs.</p>
]]></content:encoded>
	</item>
</channel>
</rss>
