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Archive for January, 2011

Naushad Ali and Mohd. Rafi: A musical relationship

Sunday, January 30th, 2011

Compiled by: Mr. Biman Baruah

Rafi Sahab and Naushad Ali

Rafi Sahab and Naushad Ali

Naushad Ali and Mohammed Rafi both were the legends of Hindi Film Music, former one is one of the greatest Music Directors of Indian Cinema and later one is one of the greatest playback singers of Indian Cinema who made for each other and born on 25th and 24th December respectively. Both the legends are almost forgotten man today. But the immortal songs created by them still continue to live on in the minds of all music lovers and the songs are the undying treasure of Hindi Film Music. On their birth anniversary in December, they were more or less ignored in Film Industry, to which both the maestro devoted their life.

Naushad Ali was born on 25th December 1919 in Luchnow, a traditional city famous for refined North Indian Culture. From early childhood in Luchnow he was a keen listener to the live orchestras accompanying silent films. Before coming to Bombay, he used to repair harmoniums and composed for amateur theatricals such as the Windsor Music Entertainers. (more…)

Rafi sings in ‘Navarasas’

Sunday, January 23rd, 2011

By: H.A.K. Walijah

Mohd Rafi

Mohd Rafi

John Keats once wrote: “A thing of beauty is a joy forever”, today I can pretty much say “A song of Rafi is a joy forever”.  Even 30 years after his death – I am sure Rafi’s popularity did not go into oblivion. Millions of million Rafi lovers pay their respects and tributes everyday which alone is the strongest proof that Rafi still rules and his chair did not occupied yet, no replacement so far!!!. Could anybody ask for a grander memorial than that?  Rafi Saab’s voice has given us a song for every emotion and mood. Rafi’s voice will always be with us, and considering how popular he still is.  As for Rafi’s memorial being his voice, that was exactly why I thought versatility of character that makes him so special. Mohammad Rafi was a superb vocal actor and could bring a range of emotions into the limited time (usually about 3 minutes, back then) a song allowed him. From romantic to sensual, angry to soothing, loving to despairing, or outright joy and laughter, there isn’t a single emotion that his wonderfully fluid voice did not express, and express beautifully. (more…)

Un-trodden Gems – Some rare melodies by Rafi Saheb

Sunday, January 16th, 2011

By Ravi Kumar

Mohd Rafi

Mohd Rafi

The depth of ocean, the expanse of the space and the greatness of Rafi Saheb cannot be measured by any means. At the bottom of an ocean many precious pearls remain undiscovered and many a shining star remains obscure due to the immensity of the space. Similarly a number of great songs sung by Rafi Saheb could not be popularized or were underrated due to one or the other cause. But the melody, greatness and appeal of these little known songs is as eternal as the gloss of the undiscovered pearls and the shine of the distant stars, only because they were sung by Rafi Saheb. (more…)

A Fan or a Bhakt?

Sunday, January 9th, 2011

By Santosh Vishwanath

A Fan or a Rafi Bhakt Umesh Makhija (6).jpg

Bed decorated by Umesh Makhija

Umesh Makhija the name doesn’t sound popular, does it? But the moment you add Rafi saab’s name with it, the name rings a bell in our ears. Yes, it is true as true is the temple of love for Rafi Saab in this man’s heart. You will have to see it to belive it. Narayanji from Banglore and myself have been fortunate enough to have seen it. So I thought it would be nice to write about Umeshji who has done so much to keep our Rafi Saab’s memory live here in Ahmedabad. (more…)

Mohammed Rafi – Dilip Kumar – Naushad & Shakeel Badayuni = Combination Par Excellence & the Greatest Ever

Sunday, January 2nd, 2011

By Mr D.P.BIJOOR & Mr MILIND BIJOOR

Mohd Rafi and Naushad Ali

Mohd Rafi and Naushad Ali

In the year 1967 when the Colossal & Classic film Ram Aur Shyam was released, I was at my tender age of 10 and considered myself fortunate enough to witness the sheer magic of Dilip saab. The scene which really captured my mind and of course the minds of millions of fans was the song “Aaaj kee raat mere dil kee salami lele kal tere badmase diwana chala jayega shamma rahe jayegi parwana chala jaega” enacted by Dilip saab with great ease and confidence. A film I cherish all my life.

No doubt it was the sheer magic of Dilip Saab. But no less was the contribution of the other three great maestros Rafi Saab, Naushad Saab & Shakeel Baduyuni Saab. Their contribution, though not visible to the eyes, can be noticed whenever this great evergreen hit is played or heard. It sounds like pure magic pouring out and which has mesmerized millions of music lovers till date across the world. And will continue to do so for the next generation too. Truly a terrific combination of the greatest artists & performers which the film industry has ever seen (more…)

The Essence of the Avataar’s Existance

Sunday, January 2nd, 2011

By Ramesh narain kurpad

BHAKTON – THIS IS A SEQUEL TO MY ARTICLE OFF 24 DECEMBER 2010, BASICALLY TO SOOTHE THOSE BHAKTS WHO MAY HAVE BEEN ANGERED WITH MY FORTHRIGHT VIEWS ON ACTING LENGENDS, FILM FRATERNITY, POLITICIANS. HERE IS THE TRUTH AS IT ROLLED OUT IN FRONT OF THE WORLD. 

Mohd Rafi

Mohd Rafi

I am of the personal opinion, that, the lord came down to the earth, in the avataar of Rafi sahab purely more due to necessity than compulsion.

There was an era in the world, when the human beings and their minds were being stressed and over burdened with the modern age going to unleash in all its glory and with all its wares.

The lord then felt that with Rafi sahab’s presence and divine influence, the story writers, the film makers, the lyricists, the music directors and all in the making of films should be put to a frame of mind, where in peace, tranquility, love, romance and extreme happiness was to overflow. (more…)



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